How’s everyone enjoying their holidays? Are you excited for some off-brand fun from the half of BBGT who gets really, really obsessive about music? Probably! I listen to lots of music. You’d think that, because this is such a huge passion of mine, I would be all over doing the annual top ten albums post, but I get weirdly intimidated and panic that I’ve missed or didn’t “get” something. But it’s fun, and it’s fun to think that somebody else might discover something they really like from this.
So, in no particular order, here’s my favorite albums of 2015. And instead of ten, it’s… thirty-one. Sorry. Here’s a Spotify playlist of tracks from these albums (mostly in the order they are in this post), in case you’d prefer to listen that way.
Favorite Rocking Out And Fucking The Patriarchy Albums
Alabama Shakes – Sound & Color
A bit more psychedelic and dangerous evolution of the blues rock on their first, already classic album. Brittany Howard is a goddamn champion – listen to that wail at the start of “Don’t Wanna Fight”.
Screaming Females – Rose Mountain
Screaming Females might be best known this year for their blistering take on Taylor Swift, but Rose Mountain is just as full of fresh, gritty, and seething jams.
Sleater-Kinney – No Cities to Love
They have a Bob’s Burgers music video. WHAT’S NOT TO LOVE?
Favorite Album For Guitars, With FEELINGS
Jeff Rosenstock – We Cool?
Rosenstock’s previous band, Bomb the Music Industry!, was one of my favorites, and I had the uniquely weird experience in 2012 of learning that they were disbanding while waiting for what was apparently one of their last concerts ever to start. Rosenstock’s first solo record came out this year, and it’s (unsurprisingly) exactly like everything I loved about BTMI!. He feels weird about getting older, his guitars blister, and he sings with passion rather than any particular vocal blessings (which is especially inspiring to me). We’re cool, Jeff.
Favorite Album For FEELINGS, With Guitars
The Mountain Goats – Beat The Champ
The latest Mountain Goats’ offering is an atypical one, which is one way to say that every single song is a character portrait of a professional wrestler. Most people I’ve talked to about it (I know lots of hardcore Mountain Goats fans, as does every Mountain Goats fan) seems to generally feel like it wasn’t necessarily the group’s strongest release, but for my money, the idea gave frontman John Darnielle the space to explore desperation and frustration, of both quiet and volatile qualities.
Julien Baker – Sprained Ankle
A pretty fantastic debut album, and another great entry in the “seriously, don’t listen to this if you need to be productive” category.
Favorite Indie Rock Haze Album
Best Coast – California Nights
I know, I know. The band’s name is “Best Coast” and the album’s name is “California Nights” but it’s not obnoxious like it sounds. It’s some pretty gentle, bittersweet shoegazey pop.
Favorite “Weirder” Indie Music Album
Elvis Depressedly – New Alhambra
It’s not that weird, but in comparison to Best Coast, this is the sort of stuff you might be scratching your head at on a college radio station. In a pleasant way.
Florence + The Machine – How Big, How Blue, How Beautiful
Does Florence + The Machine count as indie anymore?
Favorite Weirdly Specific Combination of Things I Already Like
Seth Avett & Jessica Lea Mayfield – Seth Avett & Jessica Lea Mayfield Sing Elliott Smith
I just recently got on board with The Avett Brothers (every hipster’s favorite folk band) and I’ve been a fan of Jessica Lea Mayfield’s post-grunge take on downtempo country for a while, so when I found out the two of them were doing a whole album of covers of one of my favorite musicians ever, I lost my shit. A lot of it is very faithful takes on Smith’s songs, but I want to highlight their take on “Somebody I Used To Know” for the adapatation of one of Smith’s best “I got your number now that you’re gone” fuck yous as a “I’M BETTER OFF WITHOUT YOU HAHA” fuck you.
Favorite Album To Have An Existential Crisis To
Father John Misty – I Love You, Honeybear
It is hard to listen to lyrics like “Maybe love is just an economy based on resource scarcity” and do basically anything afterwards.
Favorite Mid-2000s Album Of the Mid-2010s
Modest Mouse – Strangers to Ourselves
Modest Mouse released their first album in almost a decade this year and I loved it, but I’m seeing it on pretty much no one else’s Album of the Year lists. It doesn’t really innovate from their old sound at all, especially for the long gap since 2007’s We Were Dead Before the Ship Even Sank, but what it lacks in innovation it makes up in being exactly the Modest Mouse you remember.
Favorite Albums If Your Favorite Album Is David Byrne and Brian Eno’s My Life In The Bush of Ghosts, But That Was 34 Years Ago
Ibeyi – Ibeyi
Ibeyi is made up of French-Cuban twin sisters who make music with pianos, traditional percussion instruments, and electronic beats, and it manages to sound like a perfectly natural blend of soul, electronic music, and jazz. I know this is a very long list, but this is one of my absolute favorite discoveries of the year.
Mbongwana Star – From Kinshasa
This one is especially great to do work to!
Favorite Album Whose Name I Still Don’t Get
Wilco – Star Wars
It’s great if your favorite Wilco album is Yankee Hotel Foxtrot and you want some tunes that sound more on the side of that than their more country albums. It’s not great if you actually want an album that has anything to do with Star Wars.
Favorite Rock Album For People Who Hate Drums
Girlpool – Before The World Was Big
Apparently “folk punk” is a thing now.
Favorite New Album That’s Way Too Long By A Band I Only Just Learned About Whose Singer Sounds Uncannily Like The Guy From Bright Eyes
Titus Andronicus – The Most Lamentable Tragedy
Seriously, he sounds so much like Conor Oberst, it drove me crazy.
Favorite Album That Everybody Already Knows Is Everyone’s Favorite Album
Kendrick Lamar – To Pimp A Butterfly
Everybody already knows this is everyone’s favorite album.
Favorite Albums If You Like Hip-Hop AND Jazz and Wish There Were Just Some Way To Do Both
Donnie Trumpet & The Social Experiment – Surf
Definitely check out if you liked Gorillaz.
Ghostface Killah + BadBadNotGood – SOUR SOUL
The AV Club described it as “Just when Ghostface Killah needed an extra spring in his step, three white kids from Toronto gave him a pair of working moon shoes in the form of 12 brilliantly structured jazz-funk tracks”, which seems sufficient. Definitely check out if “trip hop” is a term that you recognize.
Favorite Album To Recommend To People Who Are Still Upset That Zayn Left One Direction
BIGBANG – MADE
We all know someone. Perhaps you too were largely unversed in the work of One Direction, and were left at a loss as to how to best help their devastated fans in their time of struggle. The answer, obviously, is just leaving the western hemisphere entirely, and casually suggesting they dive into the crazy world of k-pop. My girlfriend will undoubtedly kill me for putting BIGBANG on this list instead of BTS’s The Most Beautiful Moment in Life, Part 2, but that’s just how boy bands work, I suppose.
Favorite Album For Feelin’ Classy As Fuck (aka Jazz)
Kamasi Washington – The Epic
It’s a two-and-a-half-hour, triple album jazz album that’s on a ton of major outlets’ album of the year lists. Ones which aren’t focused exclusively on jazz. This isn’t how this usually works.
Favorite Album If 11:11 Is Your Favorite Regina Spektor Album
Cécile McLorin Salvant – For One To Love
I’m weird and my jazz tastes tend to be primarily hard bop, but every now and again I come across a jazz vocalist that really clicks with me.
Favorite Albums of Poppy Bleepy Bloops
Grimes – Art Angels
I finally checked out Grimes this year! Grimes is pretty great!
CHVRCHES – Every Open Eye
But if Grimes gets a little too weird for you, I can’t imagine that there’s anyone that wouldn’t like CHVRCHES, which is just lovely.
Favorite Album of Relaxing Bleepy Bloops
Worriedaboutsatan – Even Temper
It’s more of the slightly unsettling kind of relaxation that somehow remains soothing, a la Boards of Canada.
Favorite Album of Aggressive Bleepy Bloops
Oneohtrix Point Never – Garden of Delete
I found this one through an article titled “Has Electronic Music Entered Its Grunge Phase?”, so you already know if this sounds like it’s gonna be up your alley or not.
Favorite Album If Your Introduction To Electronic Music Was Skrillex-type Dubstep And You’re Looking For Something More Tasteful Because That Was A Little Embarrassing
JLin – Dark Energy
It’s not as aggressively weird as the previous entry on this list, but anyone who first learned about electronic music a few years back when dubstep was really trendy will find things to like here.
Favorite Electronic Music I Like, But Don’t Totally Understand, Because Electronic Music
Holly Herndon – Platform
I really like the tension between the electronic and the human in this one. Do read the “critical reception” part of the Wikipedia article if you want to read a lot of descriptions that make very little sense.
Favorite Album If You Like The Kind of Metal That You Can Zone Out And Do Work To, And Also Uses, Like, A Viola
Dead To A Dying World – Litany
I do not know much about metal, but Pitchfork called it “a vivid hybrid of doom, black metal, and crust punk, buttressed by baroque classical flourishes”, which is kind of hilarious. I just know that I can zone out to it but it’s engaging enough to do work to. And there’s a viola here and there, so that means it’s smart.
Actual Favorite Album of the Year
Sufjan Stevens – Carrie & Lowell
I use music for a lot of things. I like music that’s gentle and/or hazy enough to zone out and do work to, clever enough to conversely pry apart intricate lyrics, or that will just make me sad, which is a thing I do on purpose for some reason. Sufjan Stevens’ autobiographical album about the life and death of his mother who abandoned him when he was a child definitely covers the last item on my list, but it hits all of them. Even as someone who mostly just thinks Stevens’ Illinoise is mostly just alright, this is music that is so insanely beautiful that it makes it hard to recall when music last made you feel that way. It’s incredibly sad, of course, but it’s a rewarding sad that works like sad acupuncture on the human condition – it sounds painful, but it’s healing.
Anyway, if you liked my thoughts, there are a few other lists that you might like! The AV Club’s top 15 is very up my alley (like it usually is), and NPR has a whole goddamn top fifty if you’re really worried about something having slipped through the cracks. I also rather liked Paste Magazine’s top 50 this year. I’m still waiting eagerly for Jeph Jacque’s top 10 for 2015, which is usually one of my favorites, and I haven’t gotten around to The Guardian’s Top 40 yet, so I’m very excited to find new things and then regret their absence on this list.
Unrelated to this, but was that Sherlock special bad or brilliant?
Hahaha, I’m just kidding, I meant bad or awful?
Hahaha, I’m just kidding, it was a fucking disaster and we all know it. The people who don’t admit it are still afraid the emperor has clothes, but he’s fucking naked, and everybody knows it.
It sucked ass.
Oh man, I didn’t even watch it. I assumed it was gonna be shit and would maybe check it out eventually, but that’s not a promising take
I actually had super high expectations – unlike you, I loved season three and thought “His Last Vow” was one of the show’s best episodes. The trailers looked spectacular.
But this…this…
I’m going to spoil everything, and you’re welcome. That’s my pre-emptive response to the thank you you’ll want to give me.
Moffat wants you to be very clear about something: He is a feminist. SO FEMINIST. He is so feminist he will make his major female characters unlikeable, emasculate his leads (Mary says something to John in their last lines of the episode that accomplished nothing except to prove that John is whipped and Mary is a bitch), incorporate blatant anachronisms, and rip his characters to shreds.
For Moffat to make his point, John had to be an asshole, and Sherlock and Mycroft both had to be insanely anachronistic. Moffat gets cute with this and has a whole “But it’s really Sherlock’s modern day mind/no Victorian Sherlock is imagining it/No it’s modern Sherlock’s mind!” thing going on to justify it, but that doesn’t work. He’s still trying to create a Victorian mystery in a Victorian society solved by Victorian characters. If the only way he can make the mystery work is to make his leads either act like they’re from the modern world or act like assholes, perhaps that’s a sign your story is atrocious.
Victorian Watson is a dickhead. He goes out of his way to insult the fuck out of the help, because the maid is a woman and this helps Moffat make his “Men are so sexist that a secret league of female assassins are needed to teach feminism”, or something, point.
Oh yeah, secret league of female assassins. Are the good guys.
Louise Breely, dressed in the absolute worst disguise I’ve ever seen, pretends to be a man, and is spotted by Watson.
Here is what an actual Victorian version of John should have done:
Pulls her aside “Madam, there is no need to hide from me, and you need not be afraid. What is the purpose of your disguise? If you need help, I may be able to assist you.” And then perhaps she can say she just wants to be left alone and the conversation can go from there…and it would perhaps help if such a character were actually unusual instead of the norm in Moffat-Victorian-land.
Here is what Watson the Victorian dickhead did: “Must be tough being a woman in a man’s world.” Turns and walks away
Sherlock learns that the abominable bride killed her husband because he jilted her in America. Apparently she’s the good guy: He jilts her, she shoots him, the secret league of FEMINIST ASSASSINS FROM VICTORIAN ENGLAND back her up, and Sherlock, who is not a Victorian crime solver but actually a walking anachronism, decides not to turn them in because apparently Sherlock Holmes is such an ultra-feminist that he is in favor of a group of killers, who he knows have sanctioned and committed at least one murder for sure, being left to roam free in England. And Mycroft the fat anachronism agrees. Apparently even the safety of society is not a match for the strength of the Holmes brothers’ feminism.
It’s not that Moffat is twisting the canon. It is the complete and utter contempt for Conan Doyle’s original concept of the characters (Watson a gentleman and something of a ladies man, Holmes gentle and helpful but generally distrustful of women) that really makes this episode grind on me so much. This was shit, it was complete shit, and I’m not even touching the other aspects of the plot, which gets insanely inceptiony and somehow involves Moriarty even though he has nothing to do with it.
What a fucking turd.
Hahahaha this sounds terrible. Sigh, remember when Moffat’s name on something was something to get excited about? Sigh.
Pingback: The Lazy Reader’s Guide: March 28-April 1 | Bad Books, Good Times